Portrait of Anna Akhmatova, Queen of the Silver Age

The queen of poetry of the Silver Age, Anna Akhmatova, nee Gorenko, wrote about herself as a child: I got the nickname "wild girl" because I went barefoot, wandered without a hat, etc., threw myself from a boat into the open sea, swam during a storm, and tanned myself to the point that my skin came off, and all this shocked the provincial young ladies of Sevastopol. And then there was a beautiful youth : My first memories are of Tsarskoye Selo: the green, damp splendor of the parks, the pasture where my nanny took me, the hippodrome where little colorful horses raced, the old railway station, and something else that later became part of the "Tsarskoye Selo Ode».
Every summer I spent near Sevastopol, on the shore of Streletskaya Bay, and there I made friends with the sea. The most powerful impression of these years is the ancient Chersonesos, near which we lived.
And then, the purgatory of the Revolution, in which almost all the loved ones are burned. But when they burned, they brought to life great poems, poetry-confessions, poetry-screams. . Such is the portrait of Anna, the beaten flesh and the Divine light. The paint spreads like mercury, shimmers with varnish and sparkles when applied in layers like patterned, precious jasper.. The pearl background turns into marble patterns. And the eyes of the Virgin, deep and filled with love.
It is absolutely impossible to repeat these liquid textures exactly, as it is to enter the same river twice. But I like to rethink the topic and another gem comes to light.
The power and amazing effect of the Nobby style is that any, the most unpresentable interior becomes ultra-modern, the space becomes bright and aspiring to the future The brain begins to work at triple speeds and the picture begins to feed you with positive, creative energy.
my autograph, in the lower right corner, as Titian taught, is written in Latin script