Размер:
Embroidery window: 29 x 35 cm
Size in frame: 42 x 48 cm
О товаре:More
Description
Portrait of the great famous poet A.S.Pushkin in 1827 based on the painting by Orest Kiprensky, kept in the State Tretyakov Gallery, will add to your own "Museum Collection".
Made in the technique of the counting cross according to the original set of "Golden Fleece" in 56 shades of Madeira floss.
Decoration: baguette-premium plastic of the Bella Cornice series, museum glass; execution: Oksana Yurova, Salon of baguette design "Golden Baguette", g. Pyatigorsk
Design features: all designs of the Bella Cornice series are made by Italian designers of the highest professional level. Therefore, there are no more plastic analogues in the baguette world that are more accurate and verified in terms of color, proportions, coating quality, and simply aesthetically flawless. When I hear "Bella Cornice", I immediately understand - it's 100% quality. A classic (trough-shaped) profile is used here, with an ornament in the form of an acanthus leaf (a stylized image of a leaf of a Mediterranean plant, remarkable for the complex scalloped shape of its shoots). The stucco is painted in dull gold with a patina of delicate beige color - the technology of decorating a wooden baguette, which was used for plastic. And only the manufacturers of this baguette know how to do it. The patina gives the gold an aged effect and a noble shimmer. In the central part of the profile there is a brown stripe, and the inner edge of the profile is decorated with golden edging. The profile itself is 3-x private. Thanks to this 3-part, it is highly recommended to use it where you do not really want, and sometimes it is impossible, to apply passepartout. The middle colored part of the baguette just replaces the passepartout, introducing a color separation pause between the image and the gold of the ornament, giving a very necessary "exhale to the eye" after viewing the portrait. With direct contact of the wide golden part of the frame with the embroidery, there would be a feeling of tightness, physical discomfort when viewing the image. The thin edging inside the profile is also very important - it gives a logical and very gently separation of the components of the whole work - there will be no edging, the brown background of a deep "trough" would visually just "hoot", "flop" on the embroidery, mixing with its background. And so, - this kant gently and very clearly places accents, boundaries; makes the work very logical and clearly readable.
How to keep
The main enemies of embroidery - dirt, moisture, and pests. If the embroidery is not to be closed by the glass, from time to time have to clean. She quickly gets dust, and it can absorb moisture, which leads to the formation of dirty plaque. It is best to gently use a vacuum cleaner. Close the end nozzle clean gauze and hold it up to the embroidery, without touching the fabric. Fine products you can shake a soft, clean brush.
If you put the embroidery on storage, regularly check for the presence of moths. Do not store the tissue in a poorly ventilated, humid spaces, like attics, basements, rarely opened cabinets and chests.
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